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在艺术历史发展的长河中,发展到印象派时,色彩成为一种绘画要素的个体在画面中起决定性作用,色彩大多是表达作者内心的情感和自己所看到的东西,到了后印象派则是一种感性化的色彩,用更多形式的艺术形式色彩来表达自己的情感与独有的性格,这样将自己的情感和想法作为一种表现形式,让画作更有表现性。绘画情感和色彩其实是互通的和谐的存在,色彩可以表达情感,情感中却又能感受到色彩,所以情感和色彩对于一个画家来说在创作过程中起着十分重要的作用。本文核心在于将情感与色表现的和谐进行深入研究。
In the long history of art history, when developing into impressionism, the individual who has become a kind of painting element of color plays a decisive role in the picture. The color is mostly the expression of his inner feelings and what he sees, and the post-impressionism is one The sensual colors, which express their emotions and unique personalities in more forms of artistic form, use their emotions and thoughts as a form of expression to make the paintings more expressive. Emotions and colors are in fact the harmonious existence of intercommunication. Colors can express emotions while emotions can feel colors. Therefore, emotions and colors play an important role in the creative process for an artist. The core of this paper is to study the harmony of emotion and color.