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《易经·系辞》中“近取诸身,远取诸物”这句话,大概也适用于书法创作。历史上张旭观担夫争道、观公孙大娘舞剑器而草书长;怀素观夏云多奇峰而悟书理;尤其是韩愈对张旭草书的形象描绘等,与系辞之语息息相为什么这些文字一直在我们的书论中延续记录着?早年我初学书法时是不容易获得解答的。所幸的是,通过近些年在书法上的努力,逐渐悟到一点
“Book of Changes” in the “cicadas, far from all things ” This sentence, probably also applies to calligraphy. History of Zhang Xuan Guanfu fight for the road, the concept of Kung-sun aunt sword fencing and curator; Huai Suk concept Xia Yun Qi Qifeng and Wu Ji-feng; especially Han Yu Zhang Xu cursive image depicting, etc., and the rhetoric of interest Why did these words continue to be recorded in our book theory? In the early years when I started my calligraphy, it was not easy to get answers. Fortunately, with the hard work of calligraphy in recent years, one has gradually realized