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在功能审美化的趋势中,一些审美倾向原来较强,或其功能性侧重精神意愿而非物质功能的原生形态,其价值转型显得更为自然流畅,也更为现代人所钟情。这方面以年画、剪纸、刺绣、蜡染、挑花、编结、雕塑、玩具、彩灯等,表现得最为突出。他们原来显强的装饰性和审美娱乐性,在当代被极大地强化和纯化。它们作为富有历史感和民族色彩的审美价值形态,构成艺术商品特有的魅力。它们与日俱增的商品价值,不仅激活了一些个体作坊,还启动了许多集约化的专业生产。3.结构零散化在前工业时代,影响和支配民间美术活动的观念是集体意识和
Among the trend of aesthetic appreciation of functions, some of the original aesthetic tendencies are stronger, or their functional focus on spiritual intention rather than native forms of material functions makes the value transformation more natural and fluent and more appealing to the modern people. In this area, New Year paintings, paper-cuts, embroidery, batik, cross-stitch, knots, sculptures, toys and lanterns are most outstanding. Their original strong decorative and aesthetic entertainment, in the contemporary era has been greatly enhanced and purified. As aesthetic forms of values rich in history and nationality, they constitute the unique charm of art goods. Their increasing commodity value not only activated some individual workshops but also started intensive intensive professional production. 3. Structural fragmentation In the pre-industrial era, the concept of influence and domination of folk art activities is collective awareness and