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明代家具极尽优雅、简洁,这样的审美与皇家极尽工巧的审美完全不同。明代家具与唐宋的华丽、清的繁复有如此大的区别在于——“文人参与设计家具”。明代“市隐”文化盛行,文人不仅用诗、赋、书、画等方式以寄隐逸、清高,同时开始走向生机勃勃的民间社会,走向斑斓多彩的市民生活,从艺术创作中享受文化,从文化生活中创造典雅,参与家具文房、紫砂茶壶等的制造,就是最明显的体现。
The Ming Dynasty furniture is extremely elegant and concise, so the aesthetic and royal aesthetic skills are totally different. Ming Dynasty furniture and the Tang and Song gorgeous, clear and complicated with so much difference is that - “literary participation in the design of furniture.” In the Ming dynasty, the culture of “hidden city” prevailed. The literati not only used poetry, fu, books, paintings and other methods to send hermitages and lofty sentiments, at the same time, they began to move toward a vibrant civil society and went to colorful and colorful people’s lives, enjoying their culture from artistic creation , From the cultural life to create elegant, involved in the furniture room, Zisha teapot and other manufacturing, is the most obvious manifestation.