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本文以当代先锋作家的“文学笔记”为研究对象,指出这一代表了先锋写作最新趋势的文学现象,尽管以解读中外经典小说为主要特色,但与传统意义上的文学批评相比,却更具有文学创作的特质。在此基础上,本文认为先锋作家的“文学笔记”,实际上是对80年代先锋小说创作的某种延伸与转化。论文通过对余华、残雪等先锋作家写作“文学笔记”的研究,从“叙述”、“艺术”等问题出发,探讨了“文学笔记”与先锋小说创作之间的内在联系,指出余华、残雪等人对写作与命运概念的理解,如何深化了他们早年的先锋小说创作。
In this paper, the contemporary avant-garde writers “literary notes” as the research object, pointing out that this represents the latest trend of avant-garde writing literary phenomenon, although the interpretation of Chinese and foreign classic novels as the main feature, but compared with the traditional literary criticism, but more Literary creation with the characteristics. On this basis, this paper argues that “avant-garde writers” literary notes “is actually an extension and transformation of avant-garde novels in the 1980s. The thesis studies the writing notes of literature from the pioneer writers such as Yu Hua and Can Xue and discusses the internal relations between ”literary notes“ and the creation of avant-garde novels from the narration and the ”art" How people’s understanding of the concepts of writing and fate deepen their pioneering novel writing.