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“层次化结构”是纽加德20世纪60年代末至70年代中期音乐创作中的核心技法。节奏层次化结构作为“层次化结构”的重要组成要素,来源于纽加德先前对实验性打击乐作品经验的积累、线条层次化结构的纵向结构理念、黄金分割或斐波拉奇数列以及声学的原理。节奏、线条、和声三个要素按照同一基本理念的规则来排列,既可形成一个多层次的、有机的整体,又具有独立的形态魅力。尤其是斐波拉奇数列对线条层次化结构的数控,这无疑是纽加德在发现线条层次化结构之后对“层次化结构”从技法到美学上的又一次重大的突破。
“Hierarchical Structure ” is the core of Newcastle’s music creation from the late 1960s to the mid-1970s. The hierarchical structure of rhythm as an important component of “hierarchical structure ” comes from Newcastle’s previous experience of experimental percussion works, vertical structure of line-level structure, golden section or Fibonacci sequence As well as acoustic principles. The three elements of rhythm, line and harmony are arranged according to the same basic idea, which can not only form a multi-level, organic whole but also form an independent charm. Especially the Fibonacci sequence numerical control of the hierarchical structure of the line, this is undoubtedly Newgate once again found a major breakthrough in the “hierarchical structure” from the technical to aesthetic after the discovery of the line-level structure.