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花鸟画是中国传统绘画的主流之一,本文从中国花鸟画的历史与美学角度,就花鸟画如何表达社会性、画家个性以及花鸟画的符号性展开讨论,指出意境的表现对于花鸟画的重大意义。而当下花鸟画作是否具有感人的新境,它是否能与时空结合等问题,不在于物象的安置与描绘,也不在于受到西方绘画的冲击就改弦易张,而是在于艺术表现上能给予精神价值的肯定,东方文化特质与生活的美学观确定了创作者与欣赏者的共知共感。
Flower and bird painting is one of the mainstream of traditional Chinese painting. This article discusses the characteristics of flower and bird painting from the perspectives of history and aesthetics of Chinese bird painting, including the sociality, the personality of painter and the symbolic nature of flower and bird painting. It points out that the performance of artistic conception is of great importance to flower and bird painting significance. Whether the contemporary flower and bird paintings have a moving new situation or not, whether it can be integrated with time and space, lies not in the placement and portrayal of objects, nor in the impact of western paintings, but in the artistic expression The affirmation of the spiritual value, the oriental cultural qualities and the aesthetic view of life determine the common sense between creators and appreciators.