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我的作品里没有大情怀,也没有什么鲜明的政治观点,更多的是对材料的实验和绘画语言的探索。去年开始,我用宣纸做了一些实验,是以宣纸这一承载物作为媒介转换到另一承载物——油画框上,但效果不是很满意,搁置了一段时间。其实从本科开始,这种转换方式已经发生了,最初是在画油画时,我用宣纸贴在油画框上吸油,贴上去后发现非常有意思:松节油浸透了泛黄的纸,由于油的作用产生了一些氤氲的光感,整个画面笼罩在一种旧旧的黄色之中,非常好看,我
There is no big feeling in my work, nor any sharp political point of view, but more of the exploration of material experimenting and drawing language. Since last year, I experimented with rice paper and switched to another carrier, the oil painting frame, using the rice paper as a medium, but the results were not satisfactory and were put on hold for some time. In fact, from the beginning, this conversion has taken place, the first painting is painting, I use rice paper attached to the oil on the oil frame, posted on the discovery of very interesting: turpentine soaked yellowed paper, due to the role of oil Some shy feeling of light, the whole picture shrouded in an old yellow, very nice, I