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自人类有文字以来,自然就频频出现在文字中:起伏的群山、连绵的森林、奔流的江河、辽阔的草原、变换的季节、习性各异的动物和千姿百态的植物……由此,自然成为世界文学史上的一个永恒的主题,其杰作众多,或天马行空,或流光溢彩,或细致入微,影响甚大,这个传统一直延续至今。在中国,至少有两部世界级的自然文学著作深深地影响过国人:一部是法国博物学家、文学家法布尔(Jean-Henri Casimir Fabre,1823-1915)所著的《昆虫记》,作者以深入的眼光、细腻的笔触娓娓讲述了昆虫之美;另一部是美国诗人、作家梭罗
Nature has frequently appeared in the text since human beings have written text: rolling hills, rolling forests, flowing rivers, vast grasslands, changing seasons, animals of different habitats, and plants of different poses ... ... As a result, It has become an eternal theme in the history of world literature. Its many masterpieces, abstract, ambiguous, nuanced and influential, have continued to this day. In China, there are at least two world-class natural literary works that have profoundly influenced the Chinese people: one was the “insect book” by the French naturalist and writer Jean-Henri Casimir Fabre (1823-1915) , The author with in-depth perspective, delicate brushstroke tells the beauty of insects; the other is the American poet, writer Thoreau