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直至写作本文,我至少已经三次阅读这本《陈国峰文集·戏剧文学卷》。多次阅读不仅是为写作的需要,而是最初的阅读既令我太过沮丧不安,也令我莫名地兴奋,仿佛被一种神秘的力量召唤着,吸引着,本想止步,却又太过好奇而禁不住诱惑。在不断重读的过程中,曾经的艰涩与怪异的感觉,逐渐被那鲜明的风格化的非凡品质所取代所消解,更加对照出我们常规艺术经验的平庸与缺憾。西方评论界在评价美国评论家哈罗德·布鲁姆时,曾用“魔性美学”对其写作特质进行定
Until I wrote this essay, I have read this “Chen Guofeng Anthology · Drama Literature Volume” at least three times. Reading more than reading is not only for the needs of writing, but the first reading not only made me feel too upset, but also inexplicable excitement, as if by a mysterious power to call, attract, wanted to stop, but too Curious and could not help temptation. In the process of constant re-reading, the once grotesque and weird feeling was gradually replaced by the distinctly stylized extraordinary quality, which more contrasts with the mediocre and the shortcomings of our conventional artistic experience. Western critics in the evaluation of the United States critic Harold Bloom, “magic aesthetics ” to its writing characteristics