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何立伟是我欣赏的文学兄长,他的短篇《白色鸟》我大学的时候就读过,印象极深,汪曾祺先生称之为“唐人绝句”、“诗化小说”。后来知道他画画,起初是漫画,多用硬笔。近年又开始水墨创作,办了画展。他的漫画多是身边世态的一些感悟,文字或哲理,或讽喻,常有惊世点睛之语,充分发挥了一个文学家的才思和锐利。他的漫画,文字大于绘画,或者说画其实是他文字的补充或形象化的再现。而到了水墨阶段,他已然完全摆脱了绘画之于文字的附属地位,将中国水墨或者说是文人水墨的形与意、字与画的功用发扬到极致。
He Liwei is the literary brother I admire. His short “white bird” was read when I was in college. She was deeply impressed by what Mr. Wang Zengqi called “Tang Dynasty Quatrains” and “Poetic Novel.” Later, I know that he painted, at first cartoons, use more hard pen. In recent years, he has started ink painting and has held an exhibition of paintings. His cartoons are mostly some of the sentiment around the world, words or philosophies, or allegories, often the most stunning language, give full play to a writer’s talent and sharpness. His comic, writing is greater than the painting, or painting is actually a supplement to his text or visual reproduction. By the time of ink painting, he has completely got rid of the appendage of painting to the writing, and takes the function of Chinese ink painting or the ink painting of the literati into full play.