再次从审美开始

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在不借助工具的情况下有多少人能够看得见自己的背影呢?很难。让一个画家自己来评说自己的作品,就好像让他来描述自己的背影一样,很难实现并且保证客观。如果我不太武断的话,我接下来说的可能是个现在存在的事实。说“现在存在”是因为它相对于传统中国过去的“文人画家”而言并不完全成立。它只是从近现代开始才逐步变成我们现在这个样子,所以说它有时间性的因素在里面。那就是,现今让一个“画家”用文字(而非口头)来表述自己的创作想法、思路、手段、目的等等与之相关的内容时,往往很难得出一个符合逻辑的尽如人意的完整表述,,科技的进步,物质生活水平的提升似乎并没有让我们获得比以往更多的能力,反而“被动地”失去了很多原本属于我们的基本技能与手段。当然我不否认 How many people can see their own backs without using tools? Having an artist comment on his own work is like making him describe his own back, difficult to achieve and objective. If I am not too arbitrary, what I say next may be a fact that exists now. Saying that “there is now” is not entirely true because it is relative to the “literati painters” in the past in traditional China. It has only gradually changed from the modern era to the way we are now, so it has time-related factors in it. That is, it is often hard to come to a logical conclusion when a “painter” now uses words instead of words to express his or her creative ideas, ideas, means, purposes, etc. , The progress made in science and technology and the improvement of the material standard of living do not seem to have allowed us to acquire more capabilities than ever before. Instead, “passively” has lost many of the basic skills and instruments that originally belonged to us. Of course I do not deny it
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