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意大利作曲家普契尼的作品以善于刻画普通人物性格而著称,且女性人物的性格刻画极具亮点,以东方情调为题材的歌剧《图兰朵》和《蝴蝶夫人》是为典型代表。在普契尼的渲染下,图兰朵公主和巧巧桑为代表的东方女性音乐形象魅力得到跳跃升华。本文旨在通过分析图兰朵公主和巧巧桑的音乐形象,并从歌剧的题材、音乐结构、咏叹调、东方音乐特点、东西方音乐相结合的异国风情带领您感受普契尼心中的东方女性形象及西方人笔下的东方音乐特点。
The works by Italian composer Puccini are best known for portraying ordinary characters, and the portrayals of female characters are very bright. The opera “Turandot” and “Madame Butterfly”, oriental theme, are typical representatives. Under Puccini’s rendering, the charm of oriental women’s music represented by Princess Turandot and Qiao Qiao-san has been greatly enhanced. The purpose of this paper is to analyze the musical image of Princess Turandot and Qiao Qiao-san, and to bring you the feeling of Puccini’s oriental women from the exoticism of the opera theme, musical structure, aria, oriental music, and Eastern and Western music Image and Oriental Music Writing by Westerners.