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作家电影或许只有作家喜欢,这里最根本的一个问题就是,他的影片必须体现作家的一贯风格,有一些不同于电影人原创的风格,其人道人文的东西应该更多,但就整个故事来说,应该更好看。他不完全是另类的,一度时间里作家电影就是另类的代称,这会使投资方望而生畏,这也就带来一个两难的问题:要么太另类没有票房,要么太一般没有作家的风格。选这样的片子有点难,往往良莠掺杂。本文就以作家为主人公的影片作一评析。
One of the most fundamental problems here is that a writer's movie must reflect the usual style of the writer. There are some differences from the original style of the filmmaker. Humanities and humanities should have more things, but for the whole story, , Should look better. He is not entirely different, once the writer's film is an alternative generation, which will make investors daunting, which also brings a dilemma: either too different from the box office, or too generally no writer's style. Choose such a film a bit difficult, often mixed with good and bad. This article will make a comment on the film about the writer as the protagonist.