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当前,探求戏剧的本体意义,在戏剧界已几成一股热潮。但是,在理论家们争先就“戏剧发生论”、“戏剧本质论”、“戏剧形态论”、“戏剧发展论”等热门话题著书立说的时候,处在戏剧理论所有领域的交界和核心位置的戏剧功能问题,却反而被大大忽视和冷落了。戏剧“干什么”?这是每个戏剧研究者都必须回答的问题,而且答案应该是有别于文学“干什么”或音乐“干什么”的。戏剧作为多种艺术成分的综合体,应具有多方面的功能特性和意义;且这些多方面的功能,又是以组成一个“稳定状态”的功能系统来发挥作用的。本文试图探讨的,就是这样一个戏剧功能系统。一、一个饶有兴味的艺术功能图表模型
At present, exploring the ontological significance of drama has become a craze in the theater industry. However, when the theoreticians are the first to write about such hot topics as “theory of drama”, “theory of the essence of drama”, “theory of dramatic forms” and “theory of dramatic development”, at the junction of all theoretical fields of drama theory and The drama of the core function of the issue, but has been greatly ignored and ignored. What does the drama “do?” This is a question every drama researcher must answer, and the answer should be different from what the literature is “doing” or what the music “does.” As a complex of various art components, drama should have a wide range of functional characteristics and meanings; and these multifaceted functions also play a role in forming a “stable state” functional system. This article attempts to explore is such a drama function system. First, a very interesting art function chart model