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中国散文,又到了该峰回路转的时候了。前些年,散文界两道亮丽的风景,一是学者散文,一是闺秀散文。学者散文通常从一点生发开来,旁征博引,思古忧今,有许多感慨,令读者心潮起伏。闺秀散文,曾被一些人称为“小女人散文”,语多讥刺,是不公平的。某些女性作家所感特别纤细,而又善于把玩纤细的情感,琐屑的经历,笔端流淌着女性的细腻,亦不失为一种有趣的存在。这两类散文,似乎均拒绝平淡。学者散文,体大文长,颇多水到渠成之深沉,偶尔亦有故作深沉、炫耀深沉处,平淡非其所求。奇怪的是闺秀散文,多取材于平凡生活,为什么也会缺少平淡的品格呢?这大约与对琐屑生活、琐屑心态过度玩味,有时近乎矫情有关吧!女性之美常在不自知其美之纯情表现,一旦自
Chinese prose, has come to the peak of the time. A few years ago, the prose landscape two beautiful scenery, one scholarly prose, one boudoir prose. Scholars essay usually from a little germinal open, next to collect quotations, think of ancient times worry, there are many feelings, so readers ups and downs. Boudoir prose, who has been called by some people as a “little woman’s essay,” is ridiculed, is unfair. Some women writers are particularly slender, but also good at playing slender emotions, trivial experiences, flowing female exquisite end, is also an interesting existence. Both of these essays seem to reject the plain. Scholar essay, body large Wenchang, a lot of water deep into the deep, occasionally there are also for the sake of deep, show off deep, plain non-seek. Strange is the boudoir prose, based on the extraordinarily ordinary life, why the lack of dull character? This is about the trivial life, trivial mentality over pondering, and sometimes almost hypocritical! Female beauty often do not know its beauty innocence Performance, once self