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20世纪80年代猛然面对开放以后,中国的画家们逐渐习惯了喧哗、无序、有强烈反差的文化语境,浮躁、慌乱、自卑和盲从的心态逐渐减轻,自信心日益增强。90年代以来,中国的工笔花鸟画发生了极大的变化,在西方绘画和中国当代美学观念的交互影响下,由于有材料的改进、写生技术的发展、照相技术的参照(尤其是数码摄影带来的
After the 1980s, when the government opened its door to the world suddenly, Chinese painters gradually became accustomed to the noisy, disorderly and strongly contrasting cultural context. Their temperament, impetuosity, self-esteem and blind obedience gradually diminished and their self-confidence increased. Since the 1990s, great changes have taken place in China’s art of bird and flower painting. Under the influence of the interaction between Western painting and the concept of contemporary Chinese aesthetics, due to the improvement of materials, the development of sketching techniques, the reference of photographic techniques (especially digital photography Come on