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无论在哪个民族的美术史上,宗教美术都占有举足轻重的地位。因为宗教美术是这个民族精神生活的真实反映,是一个民族心路历程的形象化表现。由金维诺教授、罗世平博士合著,江西美术出版社出版的《中国宗教美术史》一书,历史地重现了中国古代宗教美术辉煌的一页。 《中国宗教美术史》这本专著,是从宗教美术的源头——史前的巫教祭祀美术讲起,历数佛教图像初传中国的事迹与美术遗存、两晋南北朝时期的绘塑名家与石窟艺术、隋唐时期的名手巨匠与传世造像和经变画、五代两宋宗教美术的发展,以及元明清时期兴起的伊斯兰教、基督教、全真教、藏传佛教和水陆画及民间神祠壁画。体制精备是两位作者在筛
No matter in which nation’s art history, religious art plays a decisive role. Because religious art is a true reflection of the spiritual life of this nation and is a vivid manifestation of the course of a nation’s mentality. The book “History of Chinese Religious Art”, co-authored by Dr. Jin Vino and Dr. Luo Shiping and published by Jiangxi Fine Arts Publishing House, has historically reproduced the page of glory of the ancient Chinese religious art. This monograph of “History of Chinese Religious Art” starts from the source of religious art - Prehistoric Witchcraft and Sacrificial Arts, the first incarnations of Chinese Buddhist deeds and art relics, the famous painters and grottoes in the period of the Jin and Southern and Northern Dynasties, The great masters of the Sui and Tang dynasties, the masters of the reincarnation and metaphorical paintings, the development of religious art in the Five Dynasties and the Song Dynasties, and murals of Islam, Christianity, Quanzhen Buddhism, Tibetan Buddhism, and water-land paintings and folk shrines rising in the Yuan, Ming and Qing Dynasties. Sophisticated system is the two authors in the sieve