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二胡演奏者登台演时,由于过分紧张而出现“怯场”现象,常常有不放松、拘谨、音不准、节奏不稳、与伴奏脱节等情况。但怯场现象并不可怕,只要掌握了形成怯场的主观和客观原因和规律,找出相应的对策加以针对性的训练,“怯场”现象会逐渐得以克服。
Erhu performers stage performance, due to excessive tension and “stage fright ” phenomenon, often without relaxation, cautious, not allowed to sound, rhythm instability, and accompaniment out of line and so on. However, the stage fright phenomenon is not terrible. So long as it masters the subjective and objective reasons and rules for forming the stage fright and finds the corresponding countermeasures to be targeted training, the phenomenon of “stage fright” will be gradually overcome.