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米芾的书法艺术(一)对于米芾的艺术成就,清王文治说道:“天姿凌轹未须夸,集古终能自立家。一扫二王非妄语,只应酿蜜不留花。”可见,对艺术的追求,不能凭空地想象,需要不懈地努力。在宋代,因为国力的惭弱,时代的特征使书法艺术难以形成整体的发展趋势,对传统书法的追随亦是个性化的体现。也正是在这样一种社会的影响下,从米芾的家庭出生以及从事的职业,对其性格的形成,而显得明显的怪异,“他在许多地方表现出双重人格,忽而出奇的狂傲,忽而无端的谦卑,有时莫名的慷慨,有时异常的吝啬……不能说没有心里创伤的巨大影响存在。”破解人的心灵,米芾的一生贯穿始终的即是官场间的
Mi Yue’s calligraphy art (a) For Mi Yue’s artistic achievements, Qing Wang Wenzhi said: “Tianzi Ling 轹 no boast, set the ancient final self-reliance. Flowers. ”It can be seen, the pursuit of art, can not imagine imagined, need to make unremitting efforts. In the Song Dynasty, because of the weakness of national power, the characteristics of the times made it difficult for the calligraphic art to form an overall trend of development. The pursuit of traditional calligraphy was also a manifestation of personalization. It is also under the influence of such a society that the family born from Miriam and the professions he engaged in are apparently weird to the formation of their character. “He showed a double personality in many places, suddenly and surprisingly mad Proud, humble humble, sometimes inexplicable generosity, sometimes unusually stingy ... can not say there is no tremendous psychological impact exists. ”Crack people’s minds, Mi Mi’s life is consistent throughout the official