张艺谋影片中的构图造型分析

• 作 者: 陈爽
• 机 构: 辽宁工业大学,
• 出 处: 短篇小说(原创版)
• 发表日期: 2015年24期
• 关键词: 张艺谋电影 中国电影界 第五代导演 《红高粱》 静态构图 国际声誉 导演张艺谋 国产影片 领军地位 《英雄》

在中国电影界,第五代导演可以说是具有开拓性的一代,正是从他们开始,中国电影真正走向世界。1988年,张艺谋执导的《红高粱》获得第38届柏林国际电影节金熊奖,该片不仅使他获得了国际声誉,在国内的影响力也日渐高涨。此后,张艺谋执导的《大红灯笼高高挂》《我的父亲母亲》《一个都不能少》等影片屡次斩获国内外影展奖项,奠定了他在艺术片领域内的领军地位。2002年,张艺谋借鉴好莱坞模式

In the Chinese film industry, the fifth generation of directors can be said to have a pioneering generation. It is from their very beginning that Chinese films have really come to the world. In 1988, “Red Sorghum” directed by Zhang Yimou received the Gold Bear Award at the 38th Berlin International Film Festival, which not only earned him an international reputation but also gained increasing influence in the country. Since then, the films directed by Zhang Yimou, such as “Raise the Red Lanterns”, “My Father and Mother,” and “One Neither Less”, have repeatedly won awards at home and abroad for film exhibitions and laid the foundations for his leadership in the field of art films. In 2002, Zhang Yimou borrow Hollywood model