论文部分内容阅读
人的视觉具有局限性,这在美术史上是以视觉的局限不断被超越的史实表现出来的。文章指出,摄影的发明拓展了视觉功能。摄影机的工作原理和人眼功能相似,而两者的区别在于摄影机能够记录人眼在快速运动的一瞬间所无法辨别的物象,更在于相对于人眼的主观性、选择性来说,摄影可以客观地记录下空间中光的状态,这是一种对视觉的质的超越。由于摄影的深度介入,当代绘画表现出与此前不同的视觉感受。
Human vision has its limitations, which is manifested in the history of art by the fact that the limitations of vision continue to be surpassed. The article points out that the invention of photography expands the visual function. The working principle of the camera is similar to that of the human eye, and the difference between the two is that the camera can record the unidentifiable image of the human eye in a moment of rapid movement, but also the subjectivity and selectivity of the human eye. Objectively record the state of light in space, which is a qualitative transcendence of vision. Due to the deep involvement of photography, contemporary paintings show a different visual experience than before.