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当前,在深化文化体制改革的时代大潮下,在中国戏曲长期式微的窘境中,戏曲行内及相关部门,都认为戏曲要发展要繁荣,必须创新机制走市场化道路。但不可否认,部分人却又固守以往政府对国有院团包养时的陈旧观念,对戏曲走市场面临的一些客观情况和实际困难,表现出对自己极不自信的心绪,以至有人公开撰文呼吁,必须用“非市场化手段”先培育出一个戏曲市场,戏曲才能走市场化的道路。这尽显了一些人对戏曲走市场化道路顾虑多多,从而首鼠两端的复杂心态。
At present, under the tide of deepening the reform of the cultural system, in the dilemma of the long-term Chinese drama, the opera industry and related departments all think that the development of the drama needs to be prosperous, and it is necessary to take an innovative mechanism to take the marketization path. However, it is undeniable that some people are sticking to the outdated concepts of the past when the government nurtured the state-run regiments. Some of the objective and actual difficulties facing the market of the opera turned to the very lack of confidence in the market. As a result, some people made public their appeals, Must use “non-market means ” first breed a drama market, the opera can take the marketization path. This shows some people take a lot of market-oriented opera, a lot of concerns, so the complexity of the first mouse at both ends of the mind.