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巴洛克,葡萄牙文、西班牙文均有此词,意为“不圆的珠”,后指17世纪意大利的一种艺术风格以及受其影响的欧洲和拉丁美洲各国类似的风格。它一反文艺复兴盛期的严肃、含蓄、平衡。在音乐领域内,出现了一些意义深远的进展,音乐节奏特别强烈、活跃、持续和反复,乐谱充满了精致、活泼和持续展开的旋律。如果用绘画来比喻,那是鲁本斯的一幅画:充满了色彩、动感,如看《掠夺吕希普的女儿们》或《爱情的花园》,里面有有所抑制的精力和华丽的装饰。那个时期的音乐家有蒙特威尔第、库普兰、维瓦尔第、泰勒曼、拉摩,而约·塞·巴赫和亨德尔无疑是两座几乎并峙的高峰,他们主宰也终结了一个时代。约·塞·巴赫的音乐是内省的,它面对的是心灵,更多的是对自己的言说;亨德尔的音乐是外向的,它面对的是一个广袤的世界。——编者
Baroque, Portuguese and Spanish all have this word, meaning “not round beads,” and it refers to a 17th-century Italian art style and its similar European and Latin American countries. It counters the solemn, implicit, and balanced balance of the Renaissance. In the field of music, there has been some far-reaching progress. The rhythm of the music is particularly strong, active, continuous and repetitive, and the musical score is full of delicate, lively and continuously unfolding melody. If you use painting as a metaphor, that is a picture of Rubens: full of color, dynamic, such as see “Prawl Lüspi’s daughters” or “love of the garden”, there is some restrained energy and gorgeous decoration. The musicians of that period were Monteverdi, Coupland, Vivaldi, Taylorman, and Rama, and José Bach and Handel were undoubtedly the two peaks that were almost in harmony. Their mastery also ended an era. . José Bach’s music is introspective. It faces the mind and speaks more of himself; Handel’s music is outgoing and it faces a vast world. --editor