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河南——这个中华民族的文化摇篮,在繁荣祖国文化(包括音乐)方面可以说是功赫绩巨,地位显要。继盛唐文化之后,在北宋的京都汴京(今开封),无论是“乐署”、“勾栏”或市井酒肆,民间艺人活动频繁,与当时盛行的杂剧并举的“笙色”即寓于教坊十三部之中。这时笙的演奏在中原地区已相当普遍了,可见其源头还更早更早。从古至今,河南吹笙、制笙的名家颇多,且近百年来对笙的改良还有
Henan - The cradle of culture of the Chinese nation, can be said to have achieved great achievements and dominance in the prosperity of the motherland’s culture (including music). Following the Tang Dynasty culture, in Beijing’s Northern Beijing (now Kaifeng) in the Northern Song Dynasty, whether it is the “Music Department”, “Gou Bar” or the city’s liquor stores, folk artistes frequently performed activities similar to the popular “Shengsheng” Square among thirteen. At this time Sheng played the Central Plains region has been quite common, we can see its source still earlier and earlier. Since ancient times, Henan Sheng-sheng, a lot of masters of the system of Sheng, and the improvement of Sheng over the past century there