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《明心鉴》,又名《梨园原》,大約是由清代戏曲艺人最后写成的一部专門谈论戏曲表演技术和技巧的著作。(已收入中国戏曲研究院编辑、中国戏剧出版社出版的《中国古典戏曲論著集成》第九集。)在这篇著作里,包括了过去戏曲舞台艺术中許多实践經驗,一直为戏曲界所重視。今天看来,虽然由于作者的历史局限,文章中有的观点显然有錯誤之处,对表演方法的論述,有的也比較简单,但其中还有不少內容可供我們借鉴。因此,我們特請周贻白同志作了注释,重新发表,供大家研究参考。为了帮助大家研究我国古典戏曲艺术理論遺产,吸收其中的精华,并結合我們今天的戏剧艺术实践,建立我們民族的新的戏剧艺术理論体系,我們今后打算在这方面多做一些工作,希望能得到戏剧界同志們的支持。
Ming Learning, also known as Li Yuan Yuan, is a book written by Qing opera artists last year devoted to talking about techniques and techniques of opera performance. (Revenue has been included in the ninth episode of “Integration of Selected Works of Chinese Classical Operas,” edited by the Chinese Opera Academy and published by the Chinese Theater Press.) In this book, many practical experiences in the theater arts of the past are included, . It seems that although there are obvious mistakes in the views of the author due to the historical limitations of the author, some of the methods for performing performances are relatively simple. However, there are still many contents for our reference. Therefore, we specially invited Comrade Zhou Yi Bai made a comment, re-published for your study and reference. In order to help you to study the heritage of Chinese classical opera art, absorb the essence of it, and combine with our present dramatic arts practice, establish a new theoretical system of theatrical art for our nation. We intend to do more work in this regard in the hope of obtaining Theater comrades support.