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话剧《武则天》从发表文学本到舞台演出,历时两年。经过作家不断修改、提高,和导演、演员们富有创造性的艺术劳动,显得更加完美、精采。这些年来郭老写了不少剧本,舞台上也演出了不少郭老写的戏。就我曾经看过的,从《棠棣之花》《虎符》《屈原》以至《蔡文姬》《武则天》,无不是热情洋溢、风格鲜明。也许可以这样说吧,郭老的戏剧作品,更多地采用了浪漫主义的表现方法;洋溢着诗人饱满的激情;对所爱的人物尽情歌颂。有时是作者抒发诗人般的热情于人物感情之中。而每当我阅读着或者从舞台上看到这样感情丰富而生动的描写时,总是深受感动。记得二十年前在烟雾弥漫的重庆山城,我第
Drama “Empress Wu” from the published literature to the stage performance, which lasted two years. After writers continue to modify, improve, and directors, actors and creative art work, it seems more perfect and brilliant. Guo Lao wrote many scripts in these years, and the stage also performed many plays written by Guo Lao. As far as I have read, from the “flowers of Tang Di” “Hu Fu” “Qu Yuan” to “Cai Wenji” and “Wu Zetian” are all enthusiastic and distinctive style. Perhaps we can say so, Guo Lao’s dramatic works, more use of romantic expression; full of poet full of passion; enjoy the song of love. Sometimes the author expressed poet-like passion in the feelings of the characters. Whenever I read or see such a rich and vivid description from the stage, I am deeply touched. I remember twenty years ago in the smoggy Chongqing Fortress, I first