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在盆景的百花园中,许多盆景制作高手和行家,总是不断地从自己熟悉的生活中挖掘新鲜的、典型的题材;追求盆景创作的时代契机和时代节奏;创作体现时代风貌的作品,丰富人们的精神文化生活,推动社会文明的迅速发展。《花木盆景》1996年第四期封二,刊登了陈长春的榆树盆景照片。从照片上看,整个盆景画面栩栩如生,有如秋天的气候一样明净、爽朗;亦似拂晓的月光那般清幽、剔透,给欣赏者的内心世界笼罩着一种“新奇幽远、静谧空濛、简洁活脱、意趣盎然”的气氛。实在令人忍俊不禁。浏览盆景画面,我们不难看出陈先生对艺术的执着追求。他独到的取向超越了通常的思路——大胆改变了俗世常见的规则式盆景,努力开拓新的欣赏面;在静谧平和中传达着对人生况味的深刻品尝。在他的作品中,我们看到的
In the garden of the bonsai, many bonsai producers and experts constantly dig new and typical subjects from their familiar life; they are seeking the opportunity of the times and the tempo of the times to create the bonsai; People’s spiritual and cultural life, and promote the rapid development of social civilization. “Flower bonsai” in 1996 the fourth seal two, published Chen Changchun elm bonsai photos. From the photo point of view, the entire bonsai picture lifelike, as the clear autumn weather, hearty; also like the dawn of the moonlight is so quiet, clear, to the inner world of the viewer shrouded in a “fantastic, quiet and quiet, quiet Live off, full of fun ”atmosphere. Really handsome can not help but. Browse bonsai screen, we can easily see the persistent pursuit of art by Mr. Chen. His unique orientation goes beyond the usual way of thinking - daring to change the common rules of the world-style bonsai, and strive to open up new appreciation of the face; quiet tranquility in conveying a profound taste of life taste. In his works we see