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1历史上,库尔贝搞写实画派是顶撞沙龙去的,是沙龙的对头、对立面。沙龙的原文是指大厅、客厅之类的大房间,卢浮宫里有个阿波罗厅,被官方长期用作举办法国皇家美术学院的定期年度展览,久而久之,沙龙就变成了官方大展的别称。画家的作品能不能入选参展?是否需要设立审察机构?是否应设置审察的门槛标准?谁来掌握这个标准?既是学术问题,又是利益问题,争执的激烈程度可想而知。到19世纪中叶,被既得利益者长期把持的沙龙已经形成了艺术模式,所谓“沙龙画”的路数日渐清晰,多数
1 Historically, Courbet’s realistic painting style was against the salon and was the opposite of the salon. The original salon is the lobby, living room and the like large room, the Louvre has an Apollo hall, was officially used for a long time to hold a regular annual exhibition of the French Royal Academy of Fine Arts, over time, the salon becomes the official exhibition nickname. Whether the painter’s works can be selected for exhibition? Whether the need to establish a prosecutorial organization? Should set the threshold of the examination? Who will master the standard? It is not only an academic issue, but also a question of interest. The extent of the dispute can be imagined. By the middle of the 19th century, the salon dominated by the vested interests has formed an art mode. The so-called “salon painting” has become increasingly clear and the majority