论文部分内容阅读
本次由上海朱屺瞻艺术馆主办,实验艺术家茅小浪任总策划的“‘墨墨墨……’展”邀请了一批学术间距较大的艺术家。策展人的个人意识是很明确的——让参展艺术家从各自不同的观念角度来调拨水墨因素,也就是说,将水墨作为多种借用因素中的一个因素来考虑,而不再把水墨作为一个单列的问题加以考虑。这一构想使它与一般水墨作品展所呈现出的意义大相径庭。其整体的指向性也是明确的——拒绝把展览变成一种没有精神内容的集体主义盛宴。但,
This time, Shanghai Zhu Qizhan Museum of Art sponsored by experimental artist Mao Xiaolang appointed by the chief editor of ’ink ink ...’ exhibition invited a large number of academic space between the artist. The curator’s personal awareness is very clear - let the participating artists transfer the ink factors from their different perspectives, that is, consider ink and wash as one of many borrowing factors instead of using ink as the A single issue is considered. This idea makes it very different from the general ink painting exhibition. Its overall orientation is also clear - refusing to turn the exhibition into a collectivist feast without spiritual content. but,