假作真时真亦假——黄梅戏舞台砌末散议

• 作 者: 方祖中
• 出 处: 黄梅戏艺术
• 发表日期: 1983年01期
• 关键词: 砌末 黄梅戏 戏曲舞台 顾学颉 剧种 元明杂剧 布景 词原 戏曲表演 道具

“砌末”一词原是中国戏曲舞台流行的一个术语,专指“与剧情有关的特殊小件东西”(顾学颉:《元明杂剧》)。后来,砌末一词所指范围又扩大到幕幔(包括软景、硬景)、服装、道具以及传统戏曲舞台所用的一切简单装置等等。既然黄梅戏也是戏曲之一种,并且在它产生、发展过程中,向来又长于从兄弟剧种中汲取营养,广泛借鉴,现已基本具

The term “Mudao” was originally a term popular in the Chinese drama scene, specifically referring to “special small things related to the plot” (Gu Xuejie: ​​Yuan Ming Zaju). Later, the word “puzzle” was extended to include curtains (including soft scenes and hardscapes), costumes, props, and all the simple devices used in the traditional drama stage. Since the Huangmei opera is also a type of opera, and has always been longer than the process of its production and development, it draws more and more knowledge from the brothers.