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孟繁树同志在《戏曲艺术的转折与发展》一文中称:“为戏曲艺术正面临着转折关头,从理论上为第三代戏曲的降生开辟道路”,以使“得到振兴”。愿望是良好的。但因认识上的偏差,使他走向良好愿望的反面。仅就三个根本问题谈谈不同看法,予以商榷。一、关于戏曲艺术的“观赏价值”“观赏价值”是孟文论述核心。他从戏曲歌舞表演“特征”的“观赏价值的过分突出”……限制、影响了“容量”、“深度”的理论基础出发,认为“是
Comrade Meng Fanshu claimed in his article “The Turning Point and Development of Traditional Chinese Opera Art:” “It is a turning point for the art of opera and a theoretical road for the birth of the third generation of opera” in order to “get rejuvenated.” Wishes are good. However, due to the deviation of understanding, make him the opposite of good wishes. Only to discuss different views on the three fundamental issues is open to question. First, on the art of opera, “ornamental value” “ornamental value” is the core of Meng Wen discussion. He started from the “over-emphasis on the ornamental value” of “feature” in the song and dance performance of the opera ... which limits the theoretical basis of “capacity” and “depth” and holds that "yes