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油画作为一个独立的画种,在中国有着极为特殊的价值和作用。它曾经是几代热爱绘画的人们毕生的依靠和寄托。他们痴迷、忘我,他们简直不是在画油画,像是在画自己的信仰,画自己的使命。这是一种情结,是那些来自油画鼻祖之地的西方人难以理解的。因为对这些绘画者来说,没有其他,只有油画。如今仍然有很多人喜欢着油画,喜欢它的味,喜欢它的韵,喜欢它的真,喜欢“画好了”的自豪,喜欢“画坏了”的失落,甚至甘愿永
Oil painting as an independent painting has a very special value and effect in China. It used to be the lifelong dependence and sustenance of generations of people who love painting. They obsessed, selfless, they are not just painting oil paintings, like painting their own faith, painting their own mission. This is a complex, hard to understand by the westerners from the originators of oil paintings. Because for these artists, there is no other, only oil painting. Today there are still many people who like oil painting, like its taste, its rhyme, its true love, its pride of “painting it,” its loss of “painting broken” and even willingly