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《烈火情人》(—译《毁灭》)是美国著名电影导演路易·马勒执导的代表作之一,在世界影坛上享有盛誉,曾获奥斯卡多项大奖。影片以英国一个部长家庭为背景,表现了父子同时爱上一个年轻女人的传奇色彩较为浓厚的故事,揭示出资产阶级上流社会的虚伪、自私、道德沦丧。在一定深度上探讨了性爱在人类文明社会中的作用、位置,试图揭示性爱与情爱、本能与理性、私欲满足与文明制度下伦理道德之间的冲突。应该说,从性的角度反映社会、揭示人性,本片的确寓意深刻、内涵丰富,不失为一部脱离肤浅表层的爱情商业片。应该指出,《烈火情人》毕竟是西方社会文化的产物,必不可免地带有西方堕落文化的烙印,影片中大量情节和镜头表现男女主人公相爱的细节,一味追求对观众的感官刺激,这显然不适于中国国情,不符合东方社会道德规范,应毫不留情地予以批判扬弃。
One of the masterpieces directed by the famous American film director Louis · MAHLE, “Fiery Lover” (- “Destruction”), renowned in the world of film, won many Academy Awards. The film, with the family of a British minister as the background, shows the more legendary story of father and son who fell in love with a young woman at the same time, revealing the hypocrisy, selfishness and moral degeneration of the upper class bourgeoisie. At a certain depth, it discusses the role and position of sex in human civilization, trying to reveal the conflict between sex and love, instinct and rationality, the desire of lust and the ethics under the civilized system. It should be said that from a sexual perspective to reflect the community, revealing human nature, the film is indeed profound meaning, rich in content, after all, a divorce from the superficial love of commercial films. It should be pointed out that “fiery lover” is, after all, a product of Western social culture and inevitably carries the culture of a western depraved culture. The movie’s numerous plots and scenes show the details of the love between the hero and the heroine. In China’s national conditions, they do not conform to the social norms of the East and should be subserviently criticized for subjection.