一画论:戴本孝与石涛之比较

• 作 者: 许宏泉
• 出 处: 荣宝斋
• 发表日期: 2004年04期
• 关键词: 戴本孝 一画论 石涛 金陵八家 四王 余生诗稿 龚贤 程邃 中国绘画史 画语录

明末清初之金陵画坛除以龚贤为首的“金陵八家”外,石涛、梅清以及黄山诸画派的程邃和戴本孝等一大批遗民画家都相继活跃于此。这一“流派”纷呈的“边缘”状态,在某种意义上与所谓“四王”之主流形成了鲜明的朝野之分。

In addition to the “Jinling Eight Schools” led by Gong Xian, the Jinling Paintings in the late Ming and early Qing dynasties were successively active in this series of painters such as Cheng Sui and Dai Benxiao, such as Cheng Sui, Mei Qing, and Huangshan School of Painting. The “edge” of this “genre” has, in a certain sense, formed a distinctive ruling party with the mainstream of the so-called “four kings.”