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一种在远去的图像与近前现实之间的迅速勾连和重复回放是艺术史自赋的观看经验之一。按照德勒兹的说法,亟待生成的创造性恰是于“差异”所主导的“重复”之中产生出来。我们习惯于为每种美学、每样风格、每簇新的图式寻找渊源,而艺术之神秘恰在于并不存在一个真正的渊源、一个所谓的起点,对历史的任何一次重复回溯和变奏衍生都是“开始”本身,后进与前行可以统一在同一个动作之中。这就解释了为什么当我们试图在当代图像创作与1949年以来的社会主义现实主义图式之间确立某种连接的时候,目的并不在于追根溯源、为当代做图像考古,而是通过对这种连接的检视来开启新的
One of the experiences of self-endowed art history is the rapid linking and repetitive playback of distant images and near realities. According to Deleuze’s argument, the urgency to be generated is precisely the “” difference “dominated ” repetition “generated. We are accustomed to searching for origin for each aesthetics, style, and new pattern of each cluster, and the mystery of art lies in the fact that there is not a real source of origin. A so-called starting point is any derivation of historical repetition and variation Is ”start " itself, backward and forward can be unified in the same action. This explains why when we try to establish some kind of connection between contemporary image creation and the socialist realist schemata from 1949, the aim is not to trace the source and to do the image archeology for the present, but rather to View the connection to open a new one