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我们欣赏一幅绘画作品,最能打动我们的往往是画面的情绪。宋海永最新的油画风景作品,已然把我带进了那首童年牧歌:单纯、宁静、悠扬。这种情绪,正是那朴实的画面和如歌的色彩所带给我们的。印象派画家毕沙罗曾说过:“一切从形式和色彩出发。”宋海永正是通过点线面和色彩的组合,形成了画面整体的形式结构——以及隐藏于画面形式结构背后的某种情绪。换句话说,一种诗意性,正如王维诗画中所体现的“诗中有画,画中有诗”的境界。在海永的作品中,色彩如音符般跳跃,传递着某种情愫。
We appreciate a painting, the most impressed us often the emotion of the picture. Song Haiyong latest oil painting landscape works, already took me into the first song of herdsman: simple, quiet, melodious. This emotion, it is the simple picture and the color of the song brought to us. Pissarro, an Impressionist painter, once said: “Everything starts with form and color.” Song Haiyong formed the overall structure of the picture through the combination of point and line and color - and behind some form of the picture Emotions. In other words, a kind of poetic nature, just as Wang Wei’s poetry and painting embodies the realm of “painting in the poem and poetry in the painting”. In the works of Yong Hai, the colors jump like musical notes and convey some kind of emotion.