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少年写作是新世纪文坛的一个热门话题,也是一个颇受争议的话题。至今,少年写作在媒体、大众、市场的关注下冲击了寂寞的文坛。对历经十年的少年写作,我们不能无视其已经取得的成就,也不能脱离文学的审美标准一味吹捧。一方面既要看到少年写作冲击文坛的审美特征,同时也要看到人生阅历不足带来的先天缺陷:文学主体性的丧失和孤独虚无的生命体验。所以我们要正视少年写作的不足,进一步开拓少年写作的空间。
Juvenile writing is a hot topic in the literary world in the new century and it is also a topic of controversy. So far, juvenile writing has hit the lonely literary world in the media, the public and the market. We can not ignore the achievements that have been made and do not blindly stick to the aesthetic standard of literature after writing for a decade. On the one hand, we should not only see the aesthetic characteristics of the literary world that the teenagers write, but also the innate defects caused by their lack of literary experience: the loss of literary subjectivity and the lonely life experience of loneliness. Therefore, we must face up to the shortcomings of young writing and further develop the space for young writing.