论文部分内容阅读
二十世纪以降中国的书法研究大致经历了这样几个阶段:首先是世纪初部分“五四”学人与思想家、教育家等前辈学者的开端式著述,这批著述的意义在于,将书法研究纳入了现代学术制度体系;第二个阶段则以一九六三年潘天寿、陆维钊在浙江美术学院建立书法篆刻专业开始直至郭沫若、高二适的“兰亭论辩”将书法研究推向一个短暂的辉煌时期;第三个阶段则是从八十年代改革开放至
The study of calligraphy in the twentieth century has basically gone through several stages: First, the beginning of the early part of the century, and the pioneering writings of scholars and thinkers such as thinkers and educators. The significance of these writings is that Calligraphy research into the modern academic system; the second phase was 1963 Pan Tianshou, Lu Wei Zhao Zhejiang Academy of Fine Arts in the establishment of calligraphy and seal cutting professional until Guo Moruo, sophomore “Lanting argument” to calligraphy research to A short period of glory; the third stage is from the reform and opening up in the eighties to