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中国书法研究作为一门古老的学问已有1900年左右的历史了,以东汉时期崔媛《草书势》和蔡邕《篆势》、《九势》等文章的撰述为其滥觞。嗣后研究者辈出,著述亦日益繁富。特别是近30年来,书法史的研究相继勃兴,更是超越以往任何一个时代。不仅著述数量空前,研究的广度与深度也是前所未有。人们开始摆脱以书法论书法的旧有模式,力图从文化学、历史学、艺术学、社会学等不同学科角度或多学科综合进行研究,取得了长足进展。
Chinese calligraphy research as an ancient knowledge has been about 1900 years of history, with the Eastern Han Dynasty Cui Yuan “Cursive” and Cai Feng “Seal”, “Nine potential” and other articles as its origin. Researchers later generation, the writings are also increasingly prosperous. Especially in the past 30 years, the history of calligraphy has been booming one after another, but also surpassing any one of the past times. Not only the unprecedented number of studies, the breadth and depth of the study is unprecedented. People have begun to get rid of the old model of calligraphy and tried to make great progress from the perspectives of culture, history, art, sociology and other disciplines or from multiple disciplines.