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中国现代文学理论创立伊始,就受到西方文论的深刻影响,这是在现代知识情形下不得不然的事情,从根本上说则受制于中国社会文化现代性发生的特殊性质。随着全球本土化进程的加速推进,尤其是随着现代性进程及其自我反思的曲折冲突,中国文学理论的身份确认、发展走向以及由此造成的诸如文学观念、研究方法、精神境界等问题,成为文学理论家关注的焦点。中国文学理论建设路在何方?一种强有力的思路就是会通中西文论,以自铸伟辞。这当然是一个宏大的理想,却也并非无可挑剔,当中尚有许多细部问题需要审视反观,因而并不是一个毋庸置疑的研究前提。这组笔谈就是针对这一重要问题展开的讨论,希望通过学理性的反思,为中西文化会通的可能性及路径提供建设性意见。其中既有共识,也有争议,而争议恰足以表明此问题的复杂性。
At the very beginning of the founding of modern Chinese literary theory, it was profoundly influenced by Western literary theory. This is something that is indispensable under the circumstance of modern knowledge. It is fundamentally constrained by the special nature of the social and cultural modernity in China. With the acceleration of the process of global localization, especially with the twists and turns of the process of modernity and self-reflection, the identification of Chinese literary theory, its development and the resulting problems such as literary concepts, research methods and spiritual realm , Has become the focus of literary theorists. Where is the road to the construction of Chinese literary theory? A powerful way of thinking is to communicate Chinese and western literary theories and to use self-made Wei Ci. This is, of course, a grand ideal, but it is not impeccable. There are still many detailed problems that need to be looked at in the opposite direction. Therefore, it is not an unquestioned premise. This group of dialogues is a discussion on this important issue. We hope that through constructive reflection, we can provide constructive suggestions on the possibilities and paths for the convergence of Chinese and Western cultures. There is both consensus and controversy, and the dispute is just enough to show the complexity of the issue.