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本刊讯近年来,伴随着探索性戏剧的兴起,戏剧的表演观念、表演方法也出现了多样化的趋势。对此,话剧界的反应不很一致。有的同志认为,表演方法的多样化拓宽了话剧艺术的舞台表现力。而另一方面不少演员认为,在实验戏剧中表演贬值了,因此感到压抑、困惑乃至痛苦、愤懑。话剧创新实践提出的这个新问题,已经引起了话剧界的普遍关注。3月中旬,中国青年艺术剧院“院刊”《青艺》编辑部在剧院内组织了题为“表演与符号”的自由讨论会,请全院同志自由参加。到会者三十多人。有演员、也有导演:有名闻遐迩的剧坛耆宿,也有挑大梁
In recent years, along with the rise of exploratory drama, drama performance concept, performance methods also appeared a variety of trends. In response, the response of the drama industry is not very consistent. Some comrades think that the diversification of performance methods has broadened the stage expression of drama art. On the other hand, many performers think depreciation in the experimental drama, so feel depressed, confused and even painful, resentful. This new issue raised by the practice of drama innovation has aroused the widespread concern of the drama industry. In mid-March, the editorial department of “Youth Art” of the Youth Art Theater of China organized a free seminar titled “Performances and Symbols” in the theater. All the gays in the hospital were invited to participate freely. More than 30 attendees. There are performers, there are directors: the famous movie Astaire albatross, but also play a leading role