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1920年代的“革命文学”较之“五四”新文学发生了根本转型:从个人主义到集体主义。革命作家紧跟时代潮流,力图将自我融入集体,旗帜鲜明地反对个人主义、英雄主义,以及与此关联着的风花雪月、唯美主义、浪漫主义等。然而,这些被摈弃的理念却在革命作家的创作与生活实践中时时隐现,从而使得“革命文学”实践悖离了其理论预设,集体主义的藩篱遭遇突破。
The “revolutionary literature” of the 1920s has undergone a fundamental transformation over the “May Fourth” new literature: from individualism to collectivism. Revolutionary writers keep up with the tide of the times and try hard to integrate themselves into the collective. They oppose individualism and heroism in a clear-cut manner, as well as the romantic, aesthetic and romanticism associated with it. However, these discarded concepts have been seen from time to time in the creation and practice of revolutionary writers, thus making the practice of “revolutionary literature” run counter to its theoretical presupposition and the barriers of collectivism have encountered a breakthrough.