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我起初看肘阁、抬阁的录像片时,以为肘阁、抬阁是一种杂技表演,以为它之所以在表演形式上挑战高难度,完全是一种炫技的需要。后来才知道,那样一种表演方式,其实源于无奈。是穷人的智慧催生了这一新型的艺术品种。人常说,车有车路,马有马路。人找乐子也一样,富人有富人的娱乐,穷人有穷人的消遣。富人的娱乐多半是消费,穷人的乐子却常常要有创造性的思维。因此,我一直认为,就娱乐智慧来说,老百姓其实比贵族更胜一筹。明代中期,每逢社火、庙会,就有青壮年男子和儿童表
When I first looked at the elbow pavilion and carried the video of the court, I thought that elbow pavilion was the acrobatic show and that the reason why it was challenged in the form of performance was entirely a need of showy technique. Later I learned that as a way of acting, in fact, from helplessness. The wisdom of the poor has given birth to this new genre of art. People often say that cars have cars and horses have roads. People have fun, too, rich people rich entertainment, the poor poor pastime. Much of the entertainment of the rich is consumption, and the poor often enjoy creative thinking. Therefore, I always think that, in terms of entertainment wisdom, people are in fact superior to the aristocracy. In the middle of the Ming Dynasty, there was a list of young men and children in each fire and temple fair