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写生,是件“体力活儿”。像是蜗牛背着重重的壳,我出门也常不能“轻装上阵”。两个大木箱子,里面被油画框和颜料塞得满满的。蜗牛爬过,地面总留有一道浅浅的线。我是走到哪儿就画到哪儿,画里的风景和过度劳累的身体留下的毛病,就是我一路走来的印记。还对户外写生充满诗情画意的想象?错了,这可是件“体力活儿”!写生,一切从“心”开始。相对于人物,我更喜欢画自然景色和人文建筑。每到一处,我总是首先被当地的特色建筑吸引,尤其是和自然环境融为一体,在变化多端的光影下面呈现出多种样式的古朴建筑,总能让我产生画画的冲动。断壁残垣的泥巴墙,摇摇欲坠的老窗扇,竹林深掩
Sketch, is a piece of “physical activity.” Like a snail carrying a heavy shell, I often can not go out “light array ”. Two large wooden boxes, which are full of oil paintings and paint. Climbing snails, the ground always leave a shallow line. Where did I go where I was drawn, the landscape in the painting and the problems left over from the overworked body were the marks of my journey. But also for the outdoor sketching full of poetic imagination? Wrong, this is a piece of “physical activity”! Sketching, everything from “heart ” began. Relative to the characters, I prefer to draw natural scenery and cultural buildings. Everywhere, I was always attracted to the local special buildings first, especially the natural environment. Under the varied light and shadow, there are various styles of ancient buildings that always make me impulse to paint. Broken wall mud wall, crumbling old sash, bamboo forest deep cover