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一提到任伯年我的脑海马上就会浮现他的线条作品中线条的形式美。他笔下的人物既造型夸张又符合造型规律,神态生动传神,个性鲜明突出,尤其是在对线的组织运用上,聚散得体,穿插有序,线形的粗细、长短、轻重、浓淡、曲直多变而自然。钉头鼠尾是他最为常用的线条,富于转折变化,同时还有着写意画笔墨豪放而不失严谨的能力。他绘画风格的基础因素是以线条为基础,他既能熟练掌握传统笔墨线条,又能不受其束缚,从而形成既有时代特色又有个人独特风貌的艺术风格。
When I mentioned Ren Biannian, my mind would soon emerge as the formal beauty of lines in his lines. His characters are both exaggerated and in line with the law of modeling, Vivid vivid, distinct personality, especially in the use of the line organization, decent decent, interspersed orderly, linear thickness, length, severity, shades, straightforward Changed naturally. Head and tail is his most commonly used lines, full of changes in the turning point, but also freehand brushwork ink bold but without losing the ability to rigor. The basic factor of his painting style is line-based. He can not only master the traditional brushwork lines, but also can not be bound by it, so as to form the artistic style with the unique characteristics of the times and the unique style.