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现代短歌运动是20世纪50年代至60年代日本歌坛的重要力量。1956年成立青年歌人会议,形成运动的主体力量。由于其深受前卫短歌的影响,在作品中强调自我存在的个人世界的扩张,运用非写实主义、隐喻、反语、口语化、散文化等手法多重建构“人”的存在感。女性歌人的活跃、以政治斗争为题材的“机会诗”的诞生,也构成其重要的特点。现代短歌运动本身提出短歌现代化进程中的许多新问题,对60年代的新一代歌人创作思想和创作手法产生很大的影响。
The modern short song movement is an important force of Japanese pop music from the 1950s to the 1960s. 1956 youth singer conference was established to form the main force of the movement. Because of its influence by the avant-garde short songs, he emphasizes the expansion of the self-existent personal world in his works and uses “non-realism”, “metaphor”, “irony”, “colloquialism” The active of female singers and the birth of “chance poems” which take the political struggle as their theme also constitute their important features. The modern short song movement itself put forward many new problems in the modernization of short songs and has a great influence on the new generation of singers’ creative thinking and creation techniques of the 60’s.