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万力曾让朋友把王羲之在兰亭雅集时的一句诗——“适我无非新”刻成一枚闲章,借以契人自己的审美思考。他对历代经典心存敬畏,先后于苏东坡、“二工”、赵之谦等下过很深的工夫。近几年则基调于明清,化入魏碑。用魏碑大开大合,大刀阔斧的斩斫磊落的奇意,与明清大幅巨幛任情恣性的笔韵相融合,既追求雄浑、宽博、厚重、劲利,也锤炼灵动、简净、飘逸、自然。在诸多对立统一关系中,突出精细与粗狂的对比,大处求气,小处求韵,清雅于模糊互见,
Vang Lili once made a poem written by Wang Xizhi at the Lanting Palace - “I am nothing more than a new one” into an idle chapter in order to let one’s own aesthetic thinking. He was awe of ancient classics, and worked successively in Su Dongpo, “Second Work ” and Zhao Zhiqian. In recent years, the tone is in the Ming and Qing Dynasties, into the Wei monument. Weibei open with a large, boldly cut the graceful candid, and Ming and Qing dynasties giant arbitrary relentless integration of the pen and ink, both the pursuit of vigorous, broad, heavy, Jin Li, but also refining Smart, Jane net , Elegant, natural. In many relations of opposites and unity, highlighting the contrast between fine and rough madness, seek strength from the big place, find the charm from the small place,