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没骨画是一种介乎工写之间、收放自如的画种,在中国长达几千年的绘画历程中一直处于夹缝求生的状态。唐宋之前以双钩晕染为主要特色的工笔院体画一直兴盛不衰,及至元明清三代又以水墨为上的文人画为正宗主流,“没骨”一支在中国画历史洪流长河中只是瞬间的波光乍现,从未灿若明珠。说起没骨画的缘起,就要回溯到五代十国时期,南朝梁武帝建“一乘寺”命画工张僧繇装点门梁,张以天竺古法画门楣花卉,不
Boneless painting is a type of painting that works well in writing and writing freely. It has been in a state of surviving cracks for thousands of years in China’s painting history. Prior to the Tang and Song dynasties with double hooks dizzy as the main feature of the pen and ink painting has been flourishing, until the Yuan, Ming and Qing dynasties and literati painting as the mainstream of the mainstream, “no bone ” a long history of Chinese painting In just the moment of the first wave of waves, never bright brilliant pearl. Speaking of the origin of no bone painting, we must go back to the Five Dynasties and Ten Kingdoms period, the Southern Liang Wu Di built “one by one Temple ” painter Zhang Seng 繇 decorated the door beam, Zhang Tianzhu ancient law painted lintel flowers, not