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诗歌不仅是语言的艺术,更是艺术的语言。在中国现代诗歌理论史上,关于诗歌语言的理论思考与论争从未间断过。在战火纷飞的时代背景下,七月诗派将诗歌语言的战斗力定位在了“感染力”上,这是一种具有强烈主体性和实践性的诗歌语言观,由此,他们对“字句锻炼”和诗歌格律等诗学命题进行了深刻的反思。一、以“感染力”定位诗歌语言在抗日战争和解放战争时期,面对如何在与人民和现实结合的前提下,进一步提高诗歌
Poetry is not only the art of language, but also the language of art. In the history of Chinese modern poetry, the theoretical thinking and argument about the language of poetry have never ceased. In the era of war-torn war, the July School of poetry positioning the fighting power of the language of poetry on the “contagion”, which is a poetic language with a strong subjectivity and practicality, thus, they “Word exercise” and poetry and other poetic propositions conducted a profound reflection. I. Positioning Language of Poetry with “Infectious Power” During the Anti-Japanese War and the War of Liberation, facing the problem of how to further improve poetry under the precondition of combining with people and reality